Photo by Nilfanion via Wikimedia Commons |
Author's
Note: This story features a paranormal lawman, a talking knife, and is rated M
for "Mature." For other stories featuring these characters, check out
Carne Fresco right here on
the blog.
If you go to a certain parking garage and enter the elevator, you
will find yourself selecting between four buttons set into a sheet of scratched
stainless steel. The panel is crooked, letting the lights behind the buttons
seep out and destroy the illusion that technology is somehow elegant and
flawless. You notice the magical light behind the panel is just a cheap light
bulb with dusty wires looped around a plastic clip. You wonder if it’s even a
good idea to be in an elevator to begin with, to trust your life to something
so simple and easily broken. Shouldn’t it have computer chips or something? How
old is it? Maybe you should leave it alone and use the stairs instead. That’s
the safe choice, the one most people choose.
The idiots seem to believe that something as old as this elevator
must be good for one more trip, and punch their floor. Death spares them once
more, and the elevator delivers them without incident. They alight, mentally
congratulating themselves for being so brave. At least that’s what I think goes
on in their heads. Either way, all that matters is that no one lingers in this
elevator for long.
When the doors close, I insert a key in the fireman’s slot, and
punch out a pattern on the buttons. The elevator goes down four floors farther
than it should. When the doors open, I’m greeted by three hundred and seventy
pounds of muscle, fur, and teeth dressed in jeans and a Black Sabbath concert
shirt.
“ ‘Lo, Angus,” says Tusk, putting down a book, “What the hell
happened to your face?”
Old joke, wasn’t even that funny the first time. Still, some forms
must be observed.
“Nothing, why?”
“You were born looking like that? Sheeeit.” he says, shaking his
head.
I look at the cover of his book.
“Tusk, is that fucking Pride
and Prejudice? First time I've seen you with a book that didn’t have Elmo
on the cover.”
“Get bent.”
“Get a haircut.”
He smiles and jerks his head down the hallway. Balance laughs in
its sheath, vibrating against my back.
The Judicar’s hall looks like it was decorated by an overzealous
clockmaker who experimented with art deco. Streamlined figures in exaggerated
poses over brass and silver gears line the walls, floor and ceiling. Someone
once told me that it was supposed to represent the special place Man held in
the pact between the Light and Dark courts. I call bullshit on that. Man
regulates the balance because neither Light nor Dark can be bothered or trusted
to offer up its own citizens to see the pact enforced. I figure it's more
likely someone on the appropriations committee was getting kickbacks on the
materials.
Naturally, there is a Dark and Light side to the Judicar's hall
and guess which side I'm visiting? I wrinkle my nose at the smells of sulfur,
grave soil, and wet dog as I make my way through the crowds of imps, litchkin,
and weir, feeling the stares on my back as I pass. Some wonder if they can take
me, others ignore me, and at least one stares at me like someone who wants to
buy a pit bull. The litchkin follows me with red eyes, calculating my potential
to help or hurt its plans. Last time I checked, I wasn’t worth the effort. Bishops
from both sides make sure hunters like me are as worthless as possible. When I
glance over my shoulder, the litchkin is gone.
I come up to a door with a worn knocker that looks vaguely like a
horseshoe made of black iron. I reach into my jacket with one hand and open the
door with the other. A guy in a bow tie and long-tailed coat rises from a stool
with a look on his face like I just pissed on the floor.
“Sir, the Bishop’s office is closed today. I must insist –” He
stops as I pull Balance and send it flying in his direction. He yelps, and then
looks up to find the collar of his jacket pinned to the wall.
“Buddy, he ain’t in the mood,” Balance says. “If you’d be good
enough to announce us to the bishop, maybe he’ll take me with him."
The guy must be new, because he reaches up to take hold of Balance
by the hilt. There’s a bright arc and he screams again, holding his fingers.
“Yeah, just try that again, meatbag," says Balance.
I walk past them, through a door opening into a kind of sitting
room with paintings along one wall, and leather-bound books in floor-to-ceiling
shelves on the other. At the far end is a set of lacquered doors which are
opening. The Bishop comes out, a black haired, mustached man in a starched
shirt, pinstriped pants, and suspenders. He carries his pistol in his right hand,
sighted on my forehead.
“Angus.” He doesn’t lower the gun.
“Martin.” I nod
“To what do I owe this pleasure?”
“I'm hunting a carnal named Cree. I’m here to inform his bishop.”
“I stand so informed. What does this have to do with breaking into
my office and assaulting my staff?”
I look back over my shoulder at the doorman whose eyes are nearly
all white staring at Balance. The knife is talking about something I can’t make
out.
“I need Cree's whereabouts. I assume your office has his
registration record.”
“Come back later, when I’m open.”
I shake my head. “If I had that kind of time, I wouldn’t be here
right now. Give me the registry, and I’ll leave.”
Martin grits his jaw. “If you were under my jurisdiction, Angus ...”
“Well I ain’t. You gonna give me what I want, or do I have to get
the Judicar involved?”
Martin swears and holsters his gun. Dark Collars can’t interfere
with a hunt without a reason a damn sight better than professional angst. He
knows it, and he knows that I know he knows it. “Kenneth will see to your
request as soon as you remove your pig sticker from my wall. Will there be
anything else?”
“Yeah,” I say. “One of your uniforms tried to arrest me and a
petitioner right after the hunt was called.”
“How do you know the officer was one of mine?”
“He didn’t check in with an elder first. Your people always show initiative.”
Martin’s lip twitched, almost a smile.
“Did you identify yourself to my officer?”
“Yeah, but his mundane partner already had gotten the idea to take
us in. Your guys are supposed to make sure I can do my fucking job.”
Martin’s face flushed. “My officers have a hard enough time
keeping the veil maintained, without witch hunters and shamen performing
rituals in goddamn public spaces. Maybe I
should see the Judicar about its agents flaunting the codes and jeopardizing
the veil in a diner."
The slimy motherfucker. Never worries about the law until it
serves his purposes. “You go right ahead, Martin. Make sure you don’t leave out
the part where you participated in obstruction.”
“Obstruction? You’ve got some nerve.”
I hold up my fingers. “One, I never said anything about a diner,
or a shaman. Two, if your man can’t recognize a hunter or a Calling he
shouldn’t be on the force. Three, he saw my evidence and probably figured out
it was heavy shit, or he wouldn’t have called you so soon.” Martin’s face goes
from red to white. “You knew I was coming down here, and your door man tries to
stop me? It’s enough for a formal review.”
Nothing deflates a bullshitter like getting caught in a lie. They
then either have to give ground, or double down. Martin ain’t the betting type.
“Get your information and leave,” he says with a tight voice. “One of these
days, you’re going to take a wrong step, and I’ll be there to bring you to
heel.”
“You’ll have to wait in line.” I say and turn my back. I walk over
to the doorman. He’s got a look on his face like he wants to puke.
“... of course, it’s the lower intestine that’s really the messy part,” says Balance.
I yank it out of the wall, and snap my arm out to catch Kenneth
before he hits the floor. He scrambles to his feet, takes a deep breath and
looks me in the face.
“May I help you, sir?” he says. Say what you will about the Dark,
but they are disciplined.
“Registry for Danny Cree”
Two minutes later, I’m walking out. Balance is still bitching.
“A couple of more minutes and I’d have had him heaving on the
floor,” it says.
“If I had known you’d be like this, I would have used the gun
instead,” I mutter.
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